A camera mode exists for no other purpose than to relay one-liners and make Cliff vulnerable for eating.
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Action is punctuated with comic book-esque text pop-ups (think the old 'Batman' TV show, with exclamations like "kapow” when a zombie is executed) that are subdued and faint. The draw-in is abysmal, with shrubbery and other background objects filling in just a few feet away from Cliff. Colors bleed into one another or are otherwise oversaturated, models are subject to frequent clipping, and the textures exhibit a low level of detail. In this game the visuals are not flattering. 'Escape Dead Island' eschews traditional visuals in favor of a cel-shaded motif, which is increasingly common in contemporary gaming.
They aren’t very likeable and many of their interactions are long, naggy diatribes on Cliff’s radio. The characters add little in the way of entertainment. The stealth and combat are extremely repetitive and exasperating.
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In other words, it’s taken everything good about the 'Dead Island' series and tossed it, replacing it with a boring and relatively short experience.
It’s very linear with only one objective at a time no sandbox or passing attempt at player choice to keep me interested or add side content. Level design is bland, and much of the gameplay consists of backtracking through dark corridors, rocky crevices, or abandoned housing with nary a zombie in sight. There is also a long interval between each checkpoint. Despite the AI weirdness, death is common due to the weak controls, even after collecting a bunch of health upgrades. I was losing a fight against one and, rather than strike the killing blow, it ran away in order to make its big leap attack, which is easily dodgeable. One of the first special zombies introduced, the Bouncer, can make long jumps to reach its target. Most of them are happy to run up to me and bash indiscriminately without guile, but they often behave oddly. There are a few different types of zombie, but their behavior doesn’t differ greatly. Sometimes they inexplicably turn around without warning, see through walls, or have a huge line of sight. Clusters of zombies present a serious challenge so stealth is encouraged, but those mechanics fare no better. His offense is very limited: one regular attack, one heavy attack, and infrequent shooting (due to the sparseness of ammo). He has an extended dodge that makes counterattacks impractical. The controls are sticky and Cliff doesn’t respond quickly. But, narrative issues aside, 'Escape Dead Island' is just not fun to play. The game tries to pair this story with a lighter, less serious theme, which works a bit like oil and water. Not even the publisher takes the story seriously, as they have declared it a non-canon entry in the series. All of this creates an unrecognizable soup of a plot that tries hard to be both existential and self-aware but never really finds its footing. Characters from old 'Dead Island' titles appear, an origin story is flirted with, and "real" events meld with Cliff’s hallucinations. Things turn Lovecraftian as Cliff begins to doubt his own mind, and the story takes a turn for the worse. He is joined by the equally unqualified Linda and Devan, who soon sink their boat and are left stranded on Zombie Isle. The player character is Cliff, an ambitious young dudebro who is exploring rumors of a zombie outbreak on a remote island in a misguided attempt to impress his telecommunications mogul father. Weapons are sparse and static, with no tinkering or crafting. The player character and zombies have no levels, and the only character building to be done is in the form of medkits that increase max health. It is a third-person action game that incorporates some stealth and gunplay, and it has noticeably dropped all pretense of an RPG. 'Escape Dead Island' fundamentally diverges from its predecessors in both tone and presentation.
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